Whether you want to hone your plotting skills, learn techniques for managing point of view, deepen conflict in your stories, or free your creativity, you’ll find an in-depth series on the topic to help you learn to write better at Live Write Breathe. Continue Reading>>
Conflict in Fiction, Making it Real Series, Part 5
Ever paint your main character into a corner? Yeah, me too. Since we are on the topic of conflict in fiction, let’s take a look at what psychologists know about how people react to conflict in real life. As we’ve done in the past several articles, we’ll apply conflict in psychology to fiction writing. I can’t promise you’ll never get stuck again, but arming yourself with information can’t hurt. Continue Reading>>
Conflict in Fiction, Making it Real Series, Part 4
Understanding the dynamics of inner conflict in psychology can help you create believable characters who tap into emotions common to us all. Portraying inner conflict believably in fiction requires that we understand its ways and means. In this article, we’ll cover the four models of inner conflict in psychology, with examples from my own writing. Continue Reading>>
This post is a continuation of "Tap the Psychology of Conflict in Your Fiction," which I recommend reading first.
Conflict in Fiction, Making it Real Series, Part 3
One of my writing retreat partners is a mental health professional with licenses that add lots of letters behind her name. While on retreat, the other writers (myself included) have been known to shamelessly pick her brain for help in developing our characters. A keen understanding of people is a job requirement for those in the mental health field, with conflict its stock-in-trade. Drafting from psychology for your writing would seem a wise choice. Continue Reading>>
Conflict in Fiction, Making it Real Series, Part 2
Conflict in fiction is created when the main character strives to achieve a goal that solves the story problem, only to be frustrated by obstacles. The force introducing these obstacles can be internal or external. A battle rages between a protagonist and antagonist, arising from opposing motives that put them at cross-purposes with one another. This battleground exists inside or outside the main character’s being. Continue Reading>>
Conflict in Fiction, Making it Real Series, Part 1
The greatest rules of dramatic writing are conflict, conflict and conflict. James Frey
Conceived in passion, labored upon with tender care, wrapped in our creativity, fictional characters have a way of endearing themselves to their creators. We identify with their idiosyncrasies, want to be like them, fall in love with them. They are the very fabric of daydream, fulfillment of fantasy, our ideal selves.
We hate to make them suffer. Continue Reading>>